Publications   

          
Greek humour






















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Greek Vase Painting and the Origins of Visual Humour

(Cambridge University Press 2009)


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Cambridge University Press


2008     'Greek gods and mortals', Wace, R. (ed.). In our own image. Gods and mortals in ancient art. London. (website)

2007      ‘Ancient Greek visual puns: a case study visual humor’ in Attardo, S. and Popa, D. (eds.) New Approaches to the linguistics of humor. Academic Printing House of Dunarea de Jos, Univ. of Galati (Rumenia).

2006  English Translation of F. Goddio’s book: Canope Est, London.                                   

2005      'www.beazley.ox.ac.uk' in Lambrakis, A, Lezine,V. (eds.), État de la publication scientifique dans le domaine de l'archéologie, des arts et traditions populaires: [actes de colloque], 20-22 février 2004, Athènes. Athens: Αρχαιολογία και Τέχνες (Their website)

2004 'Humour in Greek vase-painting', Revue Archéologique (fasc.2/2004) 3-32.

2002      Comic pictures in Greek vase-painting : humour in the polis and the Dionysian world, in the sixth and the fifth centuries B.C. Unpublished D.Phil Thesis, University of Oxford.

2000     Une outre outrée: parodie et jeu iconographique à propos d’une coupe de Leipzig”, KTEMA 25 (2000) 115-122


Reviews                                                                                                                                  Return to the top of the page

2010       Review of Walsh, D. (2009) Distorted Ideals in Greek Vase-Painting. The World of Mythological Burlesque, C.U.P. 2009’ Classical Review 60.2

2008     Review of J. Clarke (2007). Looking at Laughter (100 B.C.- A.D. 250). Berkeley: University of California Press. Bryn Mawr Classical Review September 2008, no. 55.



Articles under review / Publications in preparation                                                                 Return to the top of the page                                                                                                                                        


a        ‘Democracy and popular media. Classical receptions in 19th to 21st centuries political cartoons: statesmen, mythological figures and celebrated artworks’
          [Under review for the Proceedings of the conference Classics in the Modern World – a Democratic Turn? An International Research Collaboration in Milton Keynes, The Open University, UK]

b        ‘Fiddling or non-fiddling Nero? A case study in the reception of classical statesmen in political cartoons, from a choice of 19th-21st centuries European and North American newspapers?’

c ‘Herakles’ labours in political cartoons: a case study in the reception of classical myth in political cartoons, from a choice of 19th-21st centuries European and North American newspapers’ 

A. Mitchell and L. Lorusso, M.D., The history of caricature and neurological diseases from antiquity to the present day
                               [This book is written with a clinical professor in neurological science with a special focus on caricature as an investigative tool of neurological diseases. I am writing the ancient part on Greek and Roman caricature, with a special emphasis on Hellenistic and Roman terracotta figurines and Dr. Lorusso is covering the period spanning from the 16th century to the present day. The book is written in Italian and its intended publication date is mid-2011]

       ‘A visual guide to the reception of Old Comedy. Greek visual art from the sixth to the fourth centuries B.C.: illustration or material evidence?’
              [Under review. Publication date: late 2010, early 2011, in W. G. Haase (ed.), Ancient Comedy and Reception, 'Boston University Studies in the Classical Tradition', Transaction at Rutgers University]

f     De l’usage des animaux dans l’imagerie satirique antique (Egypte, Grèce et Rome)'

g         ‘The function of pathological grotesque clay figurines in the Greco-Roman world: the role of caricature in visual humour, of theatrical masks in the realm of Comedy and of ex-votos or apotropaic representations in medical therapy.'
[To be sent in September 2010 to the Journal of the History of Neuroscience]

h ‘Auto-censure: art, autorités, et autorités imaginaires’

i ‘The Laocoon as a coat hanger in popular media: the function and meaning of the Laocoon sculptural group in political cartoons, from a choice of 19th to 21st centuries European and North American newspapers’

    ‘Humour as a tool of social cohesion: the evidence from Classical Greece’
     [under review: HUMOR: The International Journal of humor]



Invited Lectures                                                      Return to the top of the page

2010
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(18-20 June) 'Democracy and popular media: classical receptions in 19th and 20th centuries political cartoons: statesmen, mythological figures and celebrated artworks'. Milton Keynes, The Open University, UK. Conference on Classics in the Modern World – a Democratic Turn? An International Research Collaboration. I am the convenor of the Panel on Democracy and Popular Media

(19-22 May) ‘Grotesque terracotta in the Greco-Roman world: the role of caricature in visual humour, of theatrical masks in the realm of Comedy and of portraits of deformity in ancient medical centres’. Parma, 50th National Congress of the SNO (Società dei Neurologi, Neurochirurghi e Neuroradiologi Ospedalieri). Historical Pannel "Art or Neurology?" (Full Program)

(19/04/2010) ‘Gender archaeology: comic iconography of women and the male gaze in 5th century B.C. Athens’, Brussels, International Study Group, 1640 Rhode St. Genèse, Brussels.

2009
pdf poster (3-6 April) Humour as a tool of social cohesion: images of foreigners in ancient Athens'. Glasgow. Classical Association and Classical Association of Scotland 2009 

2008

(04 December) 'Variety and Function in Greek Sculpture'. Sovereign Education Ltd, London, Conway Hall, Red Lion Square.

8 lectures  The material culture of ancient & modern democracies. The M. Ragazzi Lectures, 12 Arlie Gardens, London.

2007
(19 November) ‘Hercules comicus: a case study in the politics of natural justice, from Greek temples to San Marco in Venice’. Oxford University Archaeological Society (OUAS)

‘Sacred Landscapes: from the Delphic Omphalos to the Umbilicus Orbis on the Roman Forum’, M. Ragazzi Seminars, 12 Arlie Gardens, London.

(22 February‘Visual Caricature and Parody: towards a Reconstruction of an Ancient Greek Carnival at the Kabirion Sanctuary (5th–4th centuries BC) in Central Greece’, Faculty of Classics, University of Oxford. Seminar on Ancient Parody.

2006
(21 March) ‘The Archaeology of Humour: a case study’,, Institute of Archaeology, University College London. Complex and Literature Societies Seminar Series.

(21 February) ‘A reconstruction of Greek Carnival at the Kabirion sanctuary in ancient Boeotia’, Bakhtin Research centre, University of Sheffield.

2005
(10 January) ‘Victory Monuments in Ancient Rome, An archaeological approach to the Power of Images’, Archaeological Survey of India, Bhopal, India.

2004

(2 December) Athens: Art and archaeology in the 5th century B.C.’, Department of Classics, University of Reading.

(20-22 February) ‘www.beazley.ox.ac.uk’, French School of Athens, International Conference on the current state of scientific publications, Athens

2003
27 March) ‘La parodie mythologique dans la peinture de vases attique’, University of Lausanne, Switzerland.

(28 March) ‘Les canthares du Cabirion thébain: déformations corporelles, caricature et problèmes de style’, University of Fribourg, Switzerland: Symposium sur le corps et ses différences.

2002
(14 February) ‘Satyrs and mythological parody in Greek vase-painting’, Institute of Archaeology, University of Oxford, Greek Archaeology Seminar.

2001
(13 June) ‘Afghanistan’s stolen and desecrated archaeological heritage’, Jointly with Prof. Z. Tarzi, International Conference on the Obliteration of the National Heritage of Afghanistan , S.O.A.S., London.

2000
(02 April) ‘L’humour des Grecs, Ecole Nationale des Arts Décoratifs, Strasbourg.

1997
(11 March) ‘La représentation de la Comédie Ancienne et du drame satyrique dans la peinture de vases’. Colloque sur la Comédie Antique, organised by Paris IV, E.N.S., University of Strasbourg II

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